Tag Archives: John Carpenter’s Halloween

MOVIES TO SPOOK YOU

On the first Sunday afternoon that seemed like fall, just barely like fall, I was awash in a longing for my nieces and nephews to still be little and flopped all around my living room while we watched “Halloweentown.”  It was about as gentle as a scary movie could be, starred Debbie Reynolds as the matriarch witch in the family, and the kids’ mother was also a witch, but she denied her powers. 

There was a mystery of some sort that took the whole family to solve, and some lessons on claiming who you are, and doing good. I tried watching it by myself the other day, and it just wasn’t the same without little ones in the house and popcorn all over the floor.

Now I am curating my list of scary movies to watch this month when I tire of reading scary books.  I am partial to black and white movies when it comes to terrifying myself.  What they lack in explicit gore and bad words, they make up for in the creep factor.  “The Night of the Hunter” is one such movie.  Robert Mitchum and Shelley Winters star, and it is one of those slow burn movies that gets your heart rate up, and right now. 

I put “Cape Fear” in the same category.  The original, released in 1962, is also in black and white, with Gregory Peck as a small town lawyer whose family is terrorized by the ex-con, Max Cady, who has been released and seeks revenge.  Watch this one first. 

Then, scoot over and watch the remake, filmed in 1991, starring Nick Nolte and Robert DeNiro.  There are plenty of horrifying surprises that will make you jump, but pay attention to a scene between DeNiro and Juliette Lewis, the teenage daughter.  It is so subtle and so frightening I can honestly say my blood ran cold.  Still does when I think of it. 

Another remake of a movie that might be worth a gander is the 1978 “Invasion of the Body Snatchers,” starring a young Donald Sutherland.  All fatherly now and selling us orange juice, in the early days of his career he had that certain something, not a creep factor, exactly, but something unsettling, that made me like him and loathe him and like him in just about any part he took on.  “Body Snatchers’ has a great supporting cast, too, with Brooke Adams, Veronica Cartwright, Jeff Goldblum, and Leonard Nimoy. 

If you like this kind of thing, then set aside some time to watch the “Alien” franchise.  The best, in my view, are the first two, “Alien,” and “Aliens.” Sigourney Weaver as the much beleaguered Ellen Ripley is a pretty perfect image of a fierce and iconic hero. 

Anything Alfred Hitchcock will work for a couple of hours of spookiness.  “Psycho” and the “Birds” are classics for this time of year, but let me also suggest “Rope.”  It is set in one single room, on one day,  and Jimmy Stewart is a bad guy.  I know, I know, that alone is mind-bending.  It is as much a psychological thriller as anything, and fun in an upsetting way. 

John Carpenter’s “Halloween,” was industry-shattering when it came out.  I was working at Western Kentucky University at the time and I drove to Nashville to see it.  I was thrilled at all the Bowling Green street references and the mention of all the small towns in the area.  Carpenter’s father had been a professor at WKU and John used real southern Kentucky places in most of his work.  “The Fog,” manages to name just about every street in town as the miasma creeps closer and closer to Adrienne Barbeau, his wife at the time.  “The Fog will work in your list of scary movies. 

My siblings and I stumbled across “Soylent Green” on a rainy and boring Saturday afternoon, and it lives on in the McDonough Canon of Film. Right this minute I am drinking from a Soylent Green coffee mug my nephew, Wesley, sent me. It is not so much scary as dystopian, and maybe a little cheesy, but don’t say that in front of us.  We still shout the last line of the film at each other when we run out of things to say.  

And then we laugh and laugh like hyenas, but spooked hyenas, even so.

Scary Movies — BOO!

As a child, my sister loved nothing better than a good story about “Bloody Bones” right before she went to bed. My father would oblige her, sitting on her bed and using that tone of voice adults use to convey mystery and suspense and I hated it, lying in my bed on my side of our tiny room.

This was heap big fun for those two and I never understood why Bloody Bones was an acceptable bedtime activity and my telling Kathy that the world was coming to an end tonight, was not. Many were the nights Daddy would wake me from a dead sleep because he had found her quivering in bed, her tiny heart trying to get right with God, as I snored on. He didn’t see the humor it it, and at that precise moment, neither did I.

I don’t go in much for horror movies. I always think they are apt to be accounts of actual events. But if you want some quality viewing this weekend of some of the best scary movies, let me recommend the following.

You may keep your Jasons, your Freddie Kruegers, your Chuckys and his bride. I believe this list encompasses the creepy, scary and bizarre, but does so with style and taste. The 1970’s was a rich time for horror films. First on my list is the 1977 flick, “The Sentinel.” I saw if at the dollar theatre on Western’s campus, and it was frightening, suspenseful, disgusting and gross, in equal measure. I saw it twice. Hated it both times, but there was something about it. I suspect the language was terrible, and I know some of the scenes at the gates of Hell bordered on the depraved, but it starred a young Tom Berringer, Christopher Walken, Christina Raines, and Beverly D’Angelo. Oh, yes, and Burgess Meredith. Nobody did creepy like he did creepy. carrie

“Carrie,” in the original, was also a 1970’s horror flick, starring a young Sissy Spacek, who went on to bigger and better things, and William Katt, who did not. This might have been the first movie with the passioncarrie bloody play subplot of all the bad acting teenagers getting what they deserve.

John Carpenter raised the ante with his seminal movie, “Halloween,” which served as a model for all the following movies involving teenagers. He directed it on the slimmest of budgets, $325,000, and it went on to gross 70 million dollars world-wide. Michael Meyers, the murderous teenaged escaped mental patient, wore a two dollar Captain Kirk mask, spray-painted white. The audience spends some time inside that mask, seeing what Michael michael in the stairwaysees, and we hear his breathing, and it is subtle, yet confusing, and horrifying, too. I won’t watch it alone.

We also have “The Omen,” all about Damien, the little adopted Antichrist, and you won’t believe it, but he kills people left and right, in all sorts of ways, usually through unexplained accidents. The search is on, then, for his true origins, The Omenand wouldn’t you know it, his mother was a jackal. Starring my man, Gregory Peck, it’s a really good one.

One of the scariest movies you might want to find this weekend is a children’s movie–and I am not kidding you–a Disney film, called, “Something Wicked this Way Comes.” It is based on a story by Ray Bradbury and it involves an evil carnival, as of course it would, and it seems to be shot entirely at night, even something wicked green and blackthe daytime scenes, and it stars Jason Robards and Diane Ladd and some other people you probably don’t know. Lots of rattling leaves and unexplained thumps and bumps. Not really for young children.

But the granddaddy of them all, the best of the best, has to be this old childhood favorite, “The Wizard of Oz.” When I was a child it came on once a year, usually at Easter time. Why, I couldn’t possibly say. But of all the movies then, or since, it is this one that has haunted my dreams, given me nightmares, and sent me scurrying through the dark halls of my house looking for my mother.

The tornado, Miss Gulch turning into the Wicked Witch through the swirling window, the fire ball she tosses to the Scarecrow on the Yellow Brick Road, “Surrender Dorothy” written in the sky. Flying monkeys, people! The soldiers…ho-eee-yo…until finally, the Wicked Witch melts into a pool of herself, mourning “all her lovely wickedness.” Shew.